DOCTOR WHO. Yes, I have been putting off mentioning the amaze balls Doctor Who panel that happened at SDCC2013 this Sunday because I travel through time in a linnear, nonsubjective way and therefore couldn’t speak on it before now. Spoilers! The panel in Hall H today featured show producer Marcus Wilson, show writer Mark Gatiss, “new” First Doctor David Bradley, show runner Steven Moffat, and stars Jenna Coleman and Matt Smith.
TARDIS
Originally posted on Tardis Travel:
My first stop on my transatlantic tour across Europe started in London, England. I spent a…
First of all, let’s get this straight. I totally ship River Song and The Eleventh Doctor. If you follow The Collective on Pinterest or on Tumblr you know this to be true.

When I first acknowledged my Wholigan tendencies, it was after two very special episodes of Who. Silence in the Library and The Forest of the Dead. I couldn’t get into the first season, didn’t understand the hype with the second season, so I began jumping around to watch episodes that other Whovians suggested (like a Timelord). I enjoyed the hell out of Blink and Tooth and Claw, everything Donna and in the middle of season four, we meet River. I loved her feisty, comfortable banter with the Doctor and then, all of a sudden, this brave, smart woman sacrifices herself for Ten, who cares, of course, but doesn’t seem to understand; Donna doesn’t understand; viewers don’t understand either. Before, I had watched seasons three and four out of sequence, not focusing on the larger story arc because I didn’t watch season one or two and therefore had no idea about Rose and the Doctor or why he needed Donna and why everyone hated Martha (still don’t get that one). In the Library, I began to care about his story; the tale of the Doctor and the TARDIS. I wanted to know who this River Song was, and lucky for me, I was watching on Netflix and didn’t have to wait two years, like the rest of the world.
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