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S08xE11 “Dark Water”

The first of the two-part series 8 finale, “Dark Water” answers a few of the big questions posed to viewers over the last few months, and asks even more. It is no secret I think this season has fallen flat, mostly because it seems the story lines are recycled from better story lines of previous seasons. The writing of series 8 has been a wee bit boring and predictable, with the two most interesting characters–Missy and Danny Pink–not getting nearly enough screen time for me to stay interested in the disjointed episodes of Peter Capaldi’s first season as the Twelfth Doctor. While a two-part episode is a bit difficult to gauge at this point, that won’t stop me from discussing decent character development for Clara, Moffat’s TOO wide net and a slight nostalgia for really good Doctor Who that recently has been eating at me.

Spoilers ahead, Sweetie! Repeat–DO NOT PROCEED if you haven’t watched “Dark Water” yet.

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S08xE03 “Robot of Sherwood Forest”

This week, we traveled with Clara and Twelve through time and space to, you guessed it, England. Imagine that? Mark Gatiss penned this episode that reminds Whovians that we are “all stories in the end” and sometimes the story does not tell the whole truth and sometimes, truth shifts over time. The parallels between Robin Hood (whom the Doctor at first does not believe exists and then believes is a robot) and the Doctor (last of the Timelords, the Oncoming Storm) shine in this episode. Even if the plot was a little campy and we didn’t get to see the curious character “Missy”, the overarching plot points subtly woven into this episode are worth discussing.

Spoilers ahead, Sweeties!

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S08xE02 “Into the Dalek”

While I spent the last year or so really, truly excited for the new Doctor, I’m beginning to feel a bit of a let down with series 8. The writing (MOFFAT, I defended you!) has been lackluster and the plot almost nonexistent. Although the Collectress has encouraged me to rant my frustrations, I’m still giving the new Doctor and the new series a chance, and therefore will save my judgements for at least a few weeks from now. There are a few things that interest me in regards to the over arching storyline, so that’s where we will begin.

Spoilers ahead, sweetie!

The Doctor and the Military

Throughout his 12 regenerations, the Doctor has had a tenuous history with military forces. While he and Brigadeer Lethbridge-Stewart remained friends through numerous regenerations, the Doctor is wary of the armed forces, for obvious reasons. He is an alien with a spaceship that contains the technology and history of, not only the Timelords, but the entire universe across space and time. UNIT, as well as other military forces the Doctor has encountered over the years, continuously attempts to exert power over the Doctor, his property and his friends. As Nine and then Ten, the Doctor is suspicious and somewhat rude to soldiers, working with UNIT only when Martha or Rose asks for his help. When he does help the military, it often turns into a standoff, with his TARDIS confiscated and his life threatened by soldiers with guns. Eleven was a softer Doctor and, while he didn’t volunteer his help, he often worked with the military because of River Song and her connection to the Papal Mainframe. At the end of his life, Eleven may have become more than disillusioned by the idea of the military, because of the tense situation on Trenzalore. Soldiers on both sides had a complete disregard for the innocent lives lost in the town of Christmas, while the innocents are the precise people the Doctor is always trying to save. With both sides, the Daleks and the Papal Mainframe, fighting against the Doctor right before his regeneration into Twelve, his personality seems to have taken a dark turn in terms of how he feels about soldiers.

In “A Good Man Goes to War”, the Doctor meets a soldier who dies protecting Amy and baby Melody, a soldier who joined the army to meet him and with whom he inspired when she was a child. Eleven takes the time to talk with her, he doesn’t immediately judge her for her military ties, instead giving her a chance to prove herself as an individual. For him, this is enough to invite her to run with him once again, but, alas, she dies and her chance is lost. Twelve shows us that he is not as forgiving as he once was. In “Into the Dalek”, he meets a soldier who seems to have a good heart. He saves Journey Blue and even works with her team to heal a “sick” Dalek (Who subsequently turns evil as soon as he is healed, leading the Doctor to articulate that a kind Dalek is a sick Dalek. I thought we already knew this?) but, once the adventure is over, refuses to allow Journey to travel with him, even though she proved herself to be worthy. Twelve believes Journey made the decision as to what kind of person she wanted to be as soon as she joined the military. Meaning, Twelve may not believe in second chances as his former regenerations once did. If this bias against the military remains strong in him, Twelve and Clara may have a problem soon enough, because it seems she’s met herself an army man.

#7 The Doctor, The Widow and the Wardrobe written by Steven Moffat

I don’t usually open with a viddy, but the prequel to the 2011 Doctor Who Christmas Special is another piece of the puzzle that is the Doctor and per usual in Christmastime Doctor Who fashion, there is excitement, BIG explosions and a lot of almost-dying.

#5 Let’s Kill Hitler written by Steven Moffat aka the Dalek Emperor

As I mentioned last week in the fourth installment of “11 Episodes of the Eleventh Doctor,” it is a tie between The Wedding of River Song and Let’s Kill Hitler for my all-time favorite Eleven story. This week Moffat is the writer, and perhaps I am a predictable and obvious fan because of course River is a main character and I totally ship River and Eleven as canon. While haters gon’ hate, I consider the River/Eleven storyline to be the most ambitious plot point Moffat has undertaken in his tenure as showrunner; it is a doozy and worth the twists and turns. This episode starts out with Amy and Rory summoning the Doctor after Demon’s Run and River Song’s reveal that she is Amy’s baby all grown up, the little Melody Pond. No, I didn’t rec that episode (A Good Man Goes to War), but I’m assuming if you’re reading this you are a fan of DW and don’t need too much explaining the oddness that is a Doctor Who/Steven Moffat plot line. If you do need a refresher, click the links in the text for a trip in the TARDIS to the DW wiki. So, this episode is broadcast after the show’s summer hiatus as the opener of the second part of season 6 and it begins with Amy and Rory in Leadworth contacting the Doctor by creating a crop circle. That, in itself, is kinda perfect. It is always a treat to visit the Ponds/Williams’ in their sleepy hometown, because audiences get to see the “normal” and enjoy watching the Doctor try to fit into everyday English life. In this episode, we meet a friend of the Ponds, Mels, a petty thief and crazy childhood companion of Amy and Rory.

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The birth of River Song.