by The Collected Mutineer The year is 2008. It’s just a handful of weeks after the release of Iron […]
It’s main event time! Thor: Ragnarok, the third installment in Marvel’s Thor storyline, was released last weekend. It’s been called the best Thor film to date by critics and viewers alike and has received surprising rave reviews. But can the Asgardian-centric franchise, which began in 2011, compare to fresher, wittier, and more daring space epics like Guardians of the Galaxy?
*spoiler-ish content ahead*
Hello again lovely Collective reader, That Geek Online here again with a Best Picture nominee film review; Spotlight. I just got home from seeing this film, I have sat down with my tea, and the Spotlight soundtrack is playing on my headphones. Yes, this is my Oscar’s season ritual, and yes I know I am super weird. Being only the second film (out of eight) that I have seen, I can’t say it is my favorite YET, but it did catch my attention. And not only did it catch my attention, it KEPT my undivided attention for two hours and 7 minutes. Directed by Tom McCarthy, this true story of a team of reporters uncovering a child molestation cover-up scandal will stay with you long after you leave the theatre.
Spotlight has six Academy Award nominations this year: Best Picture, Directing, Supporting Sctor (Mark Ruffalo), Supporting Actress (Rachel McAdams), Film Editing, and Writing (original screenplay). As far as acting goes, Mark Ruffalo shines in this film at Michael Rezendes. Both Ruffalo and Michael Keaton put extensive research into their roles, as this is a true story and it’s important that the actor be as similar to their real-life counterpart as possible. For example, Michael Keaton was able to get ahold of video and audio of Walter Robinson and did an impression of him on their first meeting. “How did you know everything about me, we just met?” was Robinson’s response. Mark Ruffalo was just as detail oriented with his character, asking the real Michael Rezendes to say his lines for him during every break. Their dedication to the performance is the driving force of this film and Ruffalo’s competition is tough for supporting actor, but he has a solid shot at the win. Walter Robinson summed it up perfectly when describing Keaton in the film; “It’s like watching yourself in a mirror, yet having no control over the mirror image.”