This post is a follow-up to my previous one about Mr. Gamgee, in which I wrote about three […]
I recently spent way too much time on an airplane (or aircraft, if that’s your preferred term). A direct flight from LAX to Heathrow comes with its fair share of boredom, and it gets a girl thinking about things that would speed up the trip the next time around.
Or, you know, make it so you’re the coolest person crammed into economy seat 50F.
Superhero Sleep Mask
We may not have arc reactor-powered supersuits to fly us around the world, but that doesn’t mean we can’t fly in style. Bonus: a sleep mask keeps you from punching your pesky seatmate in 50E who decides to keep on their reading light all through a red-eye flight.
I’m enjoying a vacation from work (sometimes I really love the academic calendar) and like any good Tolkienite, I’m marathoning the films once more before I go back to work on Monday. This time, as I work my way back through Middle-earth in the books and on screen, I am noticing things I never noticed before. Perhaps I should blame my graduate-level education for being unable to enjoy a book for its own sake any more, but the intricacies enrich the world and make the story so much richer for me.
Throughout my re-reading of The Lord of the Rings, it is repeatedly seen that Frodo, and other Fellowship members, have thoughts in their heads that are not their own–a narrative tactic that I wish I could duplicate in my own work. Oftentimes these characters will make exclamations in languages in which they are not fluent, usually Elvish, and have visions of things that may or may not have already happened. These foreign thoughts can be good or evil, and are influential in the actions of the main characters (particularly the hobbits), especially Frodo in his dealings with the One Ring. I mention Frodo specifically, because of the burden of his Quest. Any influences on the hobbit could make or break Middle-earth. Could Frodo be hallucinating and delirious under the effects of the Ring, or is there a Higher Power playing in the turn of events in Middle-earth?
Sometimes, I like to answer my own questions, and so I took a look at the origins of Middle-earth (my obsession has led me to have my own Tolkien library). If you’ve never read The Silmarillion (and I think that everyone should), Middle-earth was created by Eru, or Ilúvatar with the help of the song of the Ainur, but after the creation of Eä, or the world, the Creator is conspicuously silent and absent from the cycle of events that unfold in his creation. He places select Ainur in the role of the Valar (think of them as deific beings who watch over Middle-earth, like the Norse gods and goddesses); they are the protectors of Eru’s creation. In The Silmarillion, the reader repeatedly sees the intervention of the Valar in the course of the history of Tolkien’s secondary world, particularly in the battles against Melkor, AKA Morgoth (the first Dark Lord, and Sauron’s master). The Valar actively go to battle with Melkor, restrain him for three ages, and then later cast him out into the Void.